Born 1970 in New York 

Lives and works in New York 







CCA-Watts Institute, San Francisco

Supply Lines: Photography and Logistics, National Gallery of Kosovo, Kosovo

It's not you it's me. I really tried it just wasnt' working for me. I'm at a difficult place in life. Please try and understand., The Dump, Commerce, California
No Shadows in Hell, Pilar Corrias, London

“RR ZZ”, Gluck 50, Milan 


Indipendenza, Rome (with Amy Yao)

The Contract, Essex Street, New York
Theater Objects: A Stage for Architecture and Art. LUMA Foundation, GTA Exhibitions, Zurich
Artificial Complexion, VSF, Los Angeles
Group Show with Uri Aran, Ketuta Alexi-Meskhishvili, Simone Fattal, Emanuele Marcuccio, Karma International, Zurich 

Two Weeks, Carissa Rodriguez and Amy Yao, Indipendenza Roma, Rome chatbots, tongues, denial, and various other abstractions, Bortolami Gallery, New York
Whitney Biennial, New York

Looking Back: The Eight White Columns Annual, White Columns, New York 


La Collectionneuse, Front Desk Apparatus, New York

House of Vettii, Koenig & Clinton, New York

Pro-Choice, Fri Art, Fribourg
Celluloid Brushes, Ludlow 38, New York
MIND RVIDXR, Station Galleries at University of Southern California, Los Angeles
Better Homes, Sculpture Center, New York
White Petals Surround Your Yellow Heart, ICA, Pennsylvania
Painting and Flowers, Cleopatra’s, New York
The Politics of Friendship, Studiolo, Zurich



Cue, Green Tea Gallery, Asigarakamigunnkanagawa, Japan (with Jason Loebs)

Carissa Rodriguez, Karma International, Zurich

Standard Operating Procedures, cur. by Piper Marshall, Blum & Poe, Los Angeles

Grand Open Pt. 2, Mathew, Berlin

Focus at Frieze Art Fair, New York
I Think and That Is All That I Am, Thomas Duncan Gallery, Los Angeles



Art Positions, Art Basel Miami
Wish you were her, solo booth presentation for Ecart, Geneva at Art |42| Basel Art Fair, Basel

White Columns Annual, White Columns, New York
Serpentine Gallery Garden Marathon, Serpentine Gallery, London
Demanding Supplies, Kunstraum Lüneberg
The First & Final Inaugural Melbourne Biennial of International Arts, Melbourne Secretariat, Renwick Gallery, New York
Addicted to Highs and Lows, Bortolami, New York
Reorienting Orientalism, New Directions (Hair Color), Deutsche Bank Towers, Frankfurt
The One Inside (with Ei Arakawa), Tokyo Wonder Site, Tokyo
Group Show, Formalist Sidewalk Poetry Club, Miami
Incidents Maîtrisés, L’Espace de L’Art Concret, Mouans-Sartoux



Busque el Ghost, House of Gaga, Mexico City

Slip Snip Trip, Karma International, Zurich Almeria, Galerie Chantal Crousel, Paris

Secrétaire, Centro Cultural Montehermoso, Vitoria-Gasteiz Don Juan in the Village, Lars Bohman Gallery, Stockholm The nice thing about castillo/corrales, castillo/corrales, Paris Design Within Riche, Burning Bridges, New York

Lobby: Carissa Rodriguez, The Swiss Institute, New York
Is a rusted petticoat enough to bring it down to earth?, Jack Hanley Gallery, New York 



Cherchez La Ghost, New Jerseyy, Basel

Non-Solo Show, Non-Group Show, Kunsthalle Zürich
Leave No Trace: Ridges, Troughs and Phantom Limbs, International Studio and Curatorial Program, New York
The Living and the Dead, Gavin Brown’s Enterprise, New York
Today and Everyday, X Initiative, New York 



Black Noise: Tribute to Steven Parrino, CNEAI centre national de l’édition et de l’art imprimé, Chatou, France

Art Swapmeet, High Desert Test Sites, Joshua Tree, California



Black Noise: Tribute to Steven Parrino, Mamco Musée D ́art Moderne et Contemporain, Geneva



Bring the War Home, Elizabeth Dee, New York



Lesser New York, Fia Backstrom Productions, New York



American Idyll, Greene Naftali, New York Now and Ten Years Ago, Kunst-Werke, Berlin

Publish and be Damned, Cubitt, London



Money Changes Everything, Whitney Museum Independent Study Program, New York

Night Effects, Carlos Depot, Berlin



Six Feet Under, White Box, New York
Open Studios, Whitney Museum Independent Study Program, New York



What’s Wrong?, Trade Apartment, London

Spread, Bukovski’s Auction House, Stockholm 



Somebody in New York Loves Me, Forde Espace D’art Contemporain, Geneva 1998 The Stand, Dragon Gate Market, New York 

Democracy!, Royal College of Art, London
The Stand – Situationist International, Michèle Bernstein, London Psychogeographical Association, Gastatelier Fleetinsel, Hamburg Hey, International Style Competition, TENT Centrum Beeldende Kunst, Rotterdam



Dr. Krenslove, Or How I Learned to Stop Worrying and Love the Museum, American Fine Arts, New York

Too Wide Enough, The Swiss Institute, New York
Criss Cross: Some Young New Yorkers III, P.S.1, New York Paradise 8, Exit Art, New York
Parking, Highbridge Park, New York
Streetwise, Lawing Gallery, Houston



100 Photographs, American Fine Arts, New York